01. Here Comes The Flood (04:22) 02. Darkness (06:55) 03. Red Rain (06:38) 04. Secret World (09:02) 05. White Ashes (06:04) 06. Games Without Frontiers (05:12) 07. Burn You Up, Burn You Down (04:41) 08. Downside Up (05:06) 09. The Tower That Ate People (05:28) 10. More Than This (07:18) 11. Baby Man (10:23) 12. San Jacinto (08:23)
01. Digging In The Dirt (07:20) 02. Growing Up (15:36) 03. Solsbury Hill (04:16) 04. Sledgehammer (07:54) 05. Signal To Noise (09:27) 06. In Your Eyes (13:29) 07. Come Talk To Me (07:42) 08. Biko (09:38)
SOURCE
?
SOUND QUALITY
A+
FORMAT
Mp3
BITRATE
?
TRACKS #
20
LOCATION / VENUE
Brussels
DATE
2004-05-26
NOTES:
Rumor has it that the song Baby Man was ear-marked for the CD entitled "I/O" that was supposed to be released 18 months after UP.
Peter Gabriel was Peter Gabriel's third eponymous album. It was his first and only release for Mercury Records, and was re-issued in 1983 on Geffen Records. The album was met with wide critical acclaim and contains two of Gabriel's most famous songs, "Games Without Frontiers," which reached the U.S. Top 50, and the UK Top Ten, and the political song "Biko", about the late anti-apartheid activist Steve Biko. The album was remastered, along with most of Gabriel's catalog, in 2002. This album is often referred to as Melt, on account of the cover photograph. This was part of a session taken by Storm Thorgerson of Hipgnosis, using a Polaroid SX-70 instant camera, subsequently modified by Thorgerson and Gabriel. Thorgerson does not recall whether the cover image was manipulated by Gabriel, or by himself. This album marked the fourth reunion of Gabriel with a member from Genesis: in this case drummer Phil Collins, who had succeeded Gabriel as Genesis' vocalist. Gabriel had joined Genesis on stage in New York during their …And Then There Were Three… tour of 1978, and Collins also played drums for Peter during his set at the 1979 Reading Festival.
01. Biko 02. On The Air 03. DIY 04. Humdrum 05. No Self Control 06. White Shadow 07. Mother Of Violence 08. Modern Love 09. Moribund The Burghermeister 10. Perspective 11. Solsbury Hill
A favourite of the bootleggers, this final concert of the stadium leg of the "We Can't Dance" tour received much exposure world-wide. It received live air play on BBC Radio 1 in the UK and also in Germany on SWF3's "Liverock" station. In addition it was broadcast twice on Sky One in the UK and was shown via satellite TV in various other countries. A futher TV rebroadcast was on UK Gold in 1993, but marred by frequent adverts. Genesis were firing on all cylinders and turned in a wonderfully energetic performance, though this comes over much more strongly on video than from sound alone. The first of the two original UK TV broadcasts was live on the air and the technicians had some problems with the sound mix. For all shows on the We Can't Dance tour, the main concert mix was provided by a Midas XL3 desk. Using direct and auxiliary outputs from this desk feeds were sent to a Mackie 1604 rack desk and a couple of microphones pointed at the audience. Broadcasting companies could tap into the Mackie 1604 and produce a stereo mix independently of the main board, tailored to their own requirements and capturing crowd noise for a more authentic live sound. In the event, for the Knebworth show, the crowd were too high in the mix and the microphones were placed too far back and pointed at the PA instead of the audience! Sound on the second broadcast (a few days later) was better, suggesting that the recording was doctored afterwards. For this to have been technically possible, the BBC must have made a multitrack recording from the Mackie 1604 independently of their live stereo broadcast mix, allowing them to produce a different stereo mix in a studio prior to rebroadcast. There are several good bootleg CDs of this show including a sneaky release which attempts to beat the competition by advertising itself as "Espace Grammont, Montpelier, 20th July 1992" [WN-EG 3-PC 12.1-2 - 2CD]. One to go for is "Summer Nights" [Kiss The Stone KTS 106-107 - 2CD] due to excellent CD mastering, though some of Phil's song intros are missing. Another fake liable to cause confusion is "But You Can Dance" [Dead Dog Records SE311 - CD] labelled as "Live Switzerland Radio" and attributed to St. Jakob Football Stadium, Basel, Switzerland 26th July 1992. Very probably, this was recorded from a Swiss broadcast of the Knebworth gig, as evidenced by the inclusion of a Swiss announcer on the CD. A couple more strange ones are "We" [Alien Sound Music] and "18 Million Dollars To Dance" [German records Gen CD 0.17 - CD] which have songs from earlier tours mixed in haphazardly. Also circulating are a great CDR transfer of the BBC Radio broadcast caught on VHS video soundtrack, and a definitive DVD version using the same soundtrack synced with a PAL video from the TV broadcast. The National Sound Archive lists a VHS cassette with sound only from the live BBC Radio 1 broadcast, presented by Anne Nightingale, where listener's record requests are followed by the Knebworth 1992 concert.
Land of confusion No son of mine Driving the last spike Old Medley Throwing it all away Fading lights Jesus he knows me Home by the sea/Second home by the sea Hold on my heart Domino Part I Domino Part II Drum Duet I can`t dance Tonight, tonight, tonight Invisible touch Turn it on again
The Genesis concert were recorded in Herning in Denmark 14th june 2007, the second concert on their "Turn It On Again Tour". It is a soundboard recording and all is in mp3-128kbps.
Setlist Behind the Lines / Duke’s End, Turn It On Again, No Son Of Mine, Land of Confusion, In The Cage / The Cinema Show / Duke’s Travels, Afterglow, Hold on My Heart, Home by the Sea, Follow You Follow Me, Firth of Fifth / I Know What I Like, Mama, Ripples, Throwing It All Away, Domino, Drum Duet, Los Endos, Tonight Tonight Tonight (intro), Invisible Touch; I Can’t Dance, The Carpet Crawlers
Line Up Phil Collins - Drums, Vocals Mike Rutheford - Bass, Guitars Tony Banks - Keyboards Daryl Stuermer - Bass, Guitars Chester Thompson - Drums, Percussions
By 1970 Genesis were making headway with their uniquely theatrical brand of progressive rock. A series of personnel changes introduced a new drummer, Phil Collins, and guitarist Steve Hackett. Gradually, the world started to prick up its ears. Mike Rutherford: "We've always gone down well in the big industrial cities of the East Coast and Mid West (America), maybe because of the element of fantasy and escapism in our shows." Following the extraordinary success of the band's seventh album, a soundtrack to their spectacular stage show 'The Lamb Lies Down On Broadway,' Peter Gabriel left in 1975. "We came close to calling it a day when Pete left," Rutherford recalls, "It wasn't that we lost our nerve. We were always confident we could write the music, because Tony and I had done most of 'The Lamb.' It was just a question of whether the public would accept us." They did. Collins took over on vocals "because he really wanted to do it, basically" and the next installment of Genesis, 'A Trick Of The Tail,' promptly outsold all of their previous releases.