Smuggled Sounds

live concerts bootleg ROIO

Whatever the music .. it is all about live music

Sunday, September 24, 2006

Nas: a prominent American rapper

Nasir bin Olu Dara Jones (born September 14, 1973), known commonly as Nas and styled on albums as NaS, is a prominent American rapper. Raised in the infamous Queensbridge housing projects in New York City and the son of a jazz trumpeter, Nas is best known for his 1994 debut album Illmatic, widely considered one of the best hip-hop albums of all time. This album established Nas as one of hip-hop's most profound lyricists, introducing his signature poetic style.In the years following the release of Illmatic, Nas pursued a more commercial direction, which resulted in wider success but decreased artistic credibility among critics and hip-hop purists. One such instance was his appearance on PBS' Sesame Street. Furthermore, Nas' increased commercial success was accompanied by stylistic changes that fostered accusations of giving in to corporate wishes that compromised the style his fans enamored. Nevertheless, the LP Stillmatic is often credited for restoring Nas' credibility among fans. Since the success of Stillmatic, Nas continues to maintain a high profile within the hip hop community, and has pursued a decidedly personal aesthetic. While Nas' current artistic direction differs greatly from his most successful work, it has ensured that he remains one of the most respected and acclaimed contemporary rappers.


Nas - Made You Look (Gods Son Live) Live at Webster Hall, New York 2003
mp3 @ 192kbps - Dvdaudio rip -
Set List: 01 Intro / the Cross 02 Got Ur Self A Gun 03 The World is Yours 04 It Ain't Hard to Tell 05 N.Y. State of Mind 06 Life's A Bitch 07 Street Dreams 08 If I Ruled the World (Imagine that) 09 Nas is Like 10 Zone Out (Feat. the Bravehearts) 11 G.O.D. (Acapella) 12 You're Da Man 13 Rewind 14 Last Real Nigga Alive 15 Get Down 16 Mastermind 17 One Mic 18 Ether 19 Darryl Mcdaniels (DMC) Appearance 20 Made You Look 21 Made You Look Remix (Feat. Jadakiss & Ludacris)

Nas - Live In Germany 2003
mp3 @ 149kbps - soundboard - 74min

Set List: 01. Intro 02. The Cross 03. Get Down 04. Got Yourself A Gun 05. It Aint Hard To Tell 06. The World Is Yours 07. One Love 08. Represent 09. Life's A Bitch 10. Street Dreams 11. If I Ruled The World 12. Stillmatic Intro 13. Nas Is Like 14. Nastradamus 15. You're Da Man 16. Rewind
Note: I don t know who is flying high in da crew, but the concert is introduced as in Germany ... Nas keep on repeating Belgium....

NAS - Live At The House Of The Blues Chicago 06-07-02
mp3 @ 149kbps - soundboard - 7omin
Set list: 1. Intro 2. Phone Tap Intro 3. Got Yourself A Gun 4. Interlude 5. Represent 6. One Love 7. The World Is Yours 8. It Ain't Hard To Tell 9. Street Dreams Interlude 10. If I Ruled The World 11. Nashawn Spits 12. K-I-S-S-I-N-G 13. It's Mine 14. Hot Boyz 15. Hate Me Now Intro 16. Hate Me Now 17. Nas Is Like 18. Nastradamus 19. You Owe Me 20. Oochie Wally 21. Interlude 22. Smokin 23. Ether Intro 24. Ether 25. Fuck Jay-Z Interlude 26. Rewind 27. Destroy and Rebuild 28. One Mic Intro 29. One Mic 30. Illmatic Record Release Party
Note: CD rip Nas - Live in concert / promo use only....
This CD was out long before the DVD became available.

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Saturday, September 16, 2006

Morrissey: A celebration of the outsider

Steven Patrick Morrissey from "Morrissey" (born May 22, 1959) is a singer and songwriter from Stretford, Manchester, in Lancashire, England. He rose to prominence in the 1980s as the vocalist of the highly influential English pop group The Smiths. When the band broke up in 1987, Morrissey began a successful solo career and has the distinction of charting top ten British singles in three separate decades. Morrissey is often noted as one of the key pop lyricists of his generation, with many subsequent bands hailing his influence. Detractors usually describe his work as depressing, while fans point to the sardonic humour and acidic wit which underpins his songs' frequent references to alienation and failed love. He does not shy from controversy in his songs, with themes including; child murder, gang violence, domestic violence, prostitution, racism, drug use, assassination, political protest, anti-religion, suicide and terrorism. A celebration of the outsider is a constant theme in his work. He has been stereotyped as appealing to shy teenagers, and his work has been said to glorify working-class criminality.
01 - Back To The Old House 02 - Handsome Devil 03 - Miserable Lie 04 - Reel Around The Fountain 05 - Still Ill 06 - This Charming Man 07 - This Night Has Opened My Eyes 08 - What Difference Does It Make?0 9 - How Soon Is Now? 10 - Nowhere Fast 11 - Rusholme Ruffians 12 - William It Was Really Nothing 13 - Half A Person 14 - Is It Really So Strange 15 - London 16 - Sweet And Tender Hooligan
The Smiths – Leisure Centre Gloucestershire, UK 18/10/1986 LINK DOWN
Last Concert
01 - Ask 02 - Bigmouth Strikes Again 03 - London/Miserable Lie 04 - Some Girls Are Bigger Than Others 05 - The Boy With The Thorn In His Side 06 - Shoplifters Of The World Unite 07 - There Is A Light That Never Goes Out 08 - Is It Really So Strange? 09 - Cemetry Gates 10 - This Night Has Opened My Eyes 11 - Still Ill 12 - Panic 13 - The Queen Is Dead 14 - William It Was Really Nothing 15 - Hand In Glove
01 - Intro (The Operation) 02 - Malajusted 03 - The Boy Racer 04 - Billy Budd 05 - Alma Matters 06 - Ambitious Outsiders 07 - Nobody Loves Us 08 - Now My Heart Is Full 09 - Wide To Receive 10 - Sunny 11 - Dagenham Dave 12 - Paint A Vulgar Picture 13 - Roy´s Keen 14 - Satan Rejected My Soul1 5 - Speedway 16 - Shoplifters Of The World Unite Good audience
Morrissey - Live at L.A. Wiltern 23.04.04 1. First Of The Gang To Die 2. Hairdresser On Fire 3. How Can Anybody Possibly Know How I Feel? 4. A Rush And A Push And The Land Is Ours 5. Subway Train/Everyday Is Like Sunday 6. I'm Not Sorry7 . Don't Make Fun Of Daddy's Voice Now My Heart Is Full 8. I Have Forgiven Jesus Jack The Ripper 9. There Is A Light That Never Goes Out Such A Little Thing Makes Such A Big Difference 10. Little Man, What Now? 11. All The Lazy Dykes 12. The World Is Full Of Crashing Bores 13. No One Can Hold A Candle To You 14. I Know It's Gonna Happen Someday /Irish Blood, English Heart
Fair audience recording
Morrissey - Finsbury Park 08.08.92 -video-
3 parts: part 1 part 2 Part 3
download the 3 parts select all and unRAR – video file splitted in 3 parts -
01 - Do Your Best And Don´t Worry 02 - Boy Racer03 - Billy Budd 04 - Reader Meet Author 05 - Spring Heeled Jim 06 - Alma Matters 07 - Paint A Vulgar Picture 08 - Dageham Dave 09 - Hold On To Your Friends 10 - Roy´s Keen11 - Satan Rejected My Soul 12 - Now My Heart Is Full 13 - Speedway 14 - Shoplifters Of The World Unite Excellent audience recording
Morrissey – Live at Hammersmith Odeon, London / 04/10/91 01. November Spawned A Monster 02. Pregnant For The Last Time 03. Alsatian Cousin 04. Interesting Drug/Mute Witness 05. My Love Life 06. Piccadilly Palare 07. Driving Your Girlfriend Home 08. Everyday Is Like Sunday 09. Sing Your Life 10. The Loop 11. Suedehead 12. I've Changed My Plea To Guilty 13. Disappointed 14. King Lear 15. Our Frank 16. Angel Angel Down We Go Together 17. Asian Rut Soundboard

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Wednesday, September 13, 2006

Something about the single files you download from the blog

Following the comment of bennett (l'd the two Basement Tapes and it's quite strange to have it all as one mp3 for each disc. They couldn't be batched into a zip?), just wanted to give you some information about those files and how to make split them into files.

Most of the files posted here were obtained from the WinMX network. This old style file sharing Aplication as well as KaZaA does not allow share of a folder - like DC++ or bittorent clients -: you can share only single mp3 files or archive files - .RAR, .ZIP). For some reasons, Sharers would rather use single mp3 than archive files. Another reason is that It is hard to find on those network one person that has every track of the album sought... Considering the quality, bit rate, and download speed you desire, the time it takes to complete the task is considerable.

Some software developers came up with the idea of applications which enable you to wrap a set of mp3 files into a single mp3 album and also slip them back into individual MP3s . Typically, these files have a '_ALBW' notation in the file name. AlbumWrap archives solve this problem by allowing artists to wrap an entire album into one neat file, while still providing relevant information such as title, author, bit rate, and album length in searches and downloads.
I think that probably over 50% of the files posted here were AlbumWraped. I removed the _ALBW notation in the file name because the latter look very messy, unclean and not neat.
They are all being retagged with proper information still as a single file.

I have pick up 2 freewares which will do the job:





I hope that has answered many of your questions.

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Sunday, September 10, 2006

Arctic Monkeys: the Sheffield post-punk revival

Arctic Monkeys are a four-piece indie rock/post-punk revival band from High Green, a suburb of Sheffield, England. Their first two singles, "I Bet You Look Good on the Dancefloor" and "When the Sun Goes Down", both went straight to number one in the UK Singles Chart, and the band's debut album, Whatever People Say I Am, That's What I'm Not, holds the record for the largest first week sales of a debut album in UK history [1] and won the 2006 Mercury Prize. The band won "Best New Act" at the 2006 Brit Awards, and became the first band to win NME Awards for "Best New Band" and "Best British Band" in the same year.
Originally established in 2002, the band currently consists of Alex Turner on lead vocals and guitar, Jamie Cook playing rhythm guitar, Matt Helders on drums and backing vocals and Nick O'Malley, bass guitarist (formerly Andy Nicholson).


Arctic Monkeys - Fake Tales Of San Francisco - Live T In The Park 2006 (video)
http://www.megaupload.com/?d=AWL8BK57

Arctic Monkeys - live at 9 30 Club,Washington 2006
http://www.megaupload.com/?d=HZ1QBBYQ

Arctic Monkeys - Bristol Academy 13th Feb. 2006
http://www.megaupload.com/?d=X0S3YETH

Artic Monkeys - live in Manchester 2005
http://www.megaupload.com/?d=15EJ8WWQ

Artic Monkeys - Live at Kultkomplex-Cafe, Koeln 17-01-06
http://www.megaupload.com/?d=TG5OAXBB

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Saturday, September 09, 2006

Muse: From Devon to Fame

The members of Muse were in separate bands at the school they attended in the early 1990s. The formation of Muse began after a fourteen year old Matthew Bellamy successfully auditioned for the part of guitarist in Dominic Howard's band. They were left with a dilemma when their bassist decided to leave, and as Chris Wolstenholme was a very close friend, they asked him to learn to play the bass guitar - this led to the completion of the Muse line-up we know today. The band changed names a number of times after this, cycling through names such as Gothic Plague, Carnage Mayhem, Fixed Penalty, and Rocket Baby Dolls before adopting the name Muse (the chronology of these names is unclear, as Muse have given contradictory accounts in various interviews).
In 1994, under the name Rocket Baby Dolls (inspired by a Japanese porn film) and with a Gothic/glam image, they took part in a local battle of the bands contest and poked fun at the other bands by trashing the gear that was actually on loan for all the bands to use, and covering their vehicles in graffiti. The judges found this very amusing and declared them the winner of the competition. Shortly after this win the band changed their name to Muse and started playing concerts in local clubs like the Cavern in Exeter.
After a few years building a fan base in London, they played their first gigs in London and Manchester. The band had a significant meeting with Dennis Smith, the owner of Sawmills, a recording studio in a converted water mill in Cornwall, S.W. England.
This meeting led to their first proper recordings and the release of an self-titled E.P. on Sawmill's in-house Dangerous label. Their second E.P., Muscle Museum, attracted the attention of influential British music journalist Steve Lamacq and the weekly British music publication NME. Dennis Smith subsequently co-founded the music production company Taste Media especially for Muse (the band stayed with Taste Media for their first 3 albums). This was fortunate for the band, as it allowed them to preserve the individuality of their sound in the early stages of their career.
Despite the success and acclaim of their second E.P., British record companies were reluctant to back Muse, and many sections of the music industry were concerned that their sound was too similar to that of Radiohead (circa 'The Bends'). However, the American Maverick Records arranged a number of gigs in the United States before signing them at the end of 1998. Upon their return from America, Taste Media arranged deals for Muse with various record labels in Europe and Australia. John Leckie, who had produced albums for Radiohead, the Stone Roses, Weird Al, and The Verve, was brought in to produce the band's first record, Showbiz. The album showcased the band's aggressive style, and featured a number of lyrical references to the difficulties they had trying to establish themselves in Teignmouth.
The release of this album was followed by tour support slots for the Foo Fighters and the Red Hot Chili Peppers in the United States. 1999 and 2000 saw Muse playing major festivals in Europe and gigs in Australia, accumulating a considerable fan base in Western Europe.
Their second album, Origin of Symmetry, again produced by Leckie, resulted in a heavier, darker rock sound, with Wolstenholme's bass, often overdriven, distorted or synthesized, sometimes using classical techniques—on songs like Space Dementia—that were influenced by Rachmaninoff.
The band experimented with unorthodox instrumentation, such as a church organ, Mellotron, and an expanded drum kit. There were more of Bellamy's high-pitched vocal lines, arpeggiated guitar, and distinctive piano playing, inspired by the works of pianists of the Romanticism movement, particularly Russians such as Sergei Rachmaninov and Tchaikovsky. Also palpable is the influence of minimalists such as Philip Glass. Bellamy cites [citation needed] guitar influences such as Jimi Hendrix and Tom Morello (of Audioslave and Rage Against the Machine), the latter evident in the more riff-based songs on Origin of Symmetry, and in Bellamy's extensive use of pitch-shifting effects in his solos. The album also features a surprising reworking of Anthony Newley and Leslie Bricusse's "Feeling Good".
The general eccentricity of Muse's fundamentally rock style has seen them likened to 1970s rock band Queen.
The album might have led to Muse making a significant impact on the American music scene, but Maverick had reservations about Bellamy's vocal style (considering it not to be "radio-friendly"), and asked Muse to change some of their songs prior to U.S. release. Insulted, the band declined and left Maverick altogether, preventing the release of Origin of Symmetry in the U.S. (Muse have since released the album in the U.S. on 20 September 2005).
Following the album, Muse released Hullabaloo, a DVD featuring their live performance at Le Zenith in Paris in 2001. A double album featuring a collection of b-sides and recordings of some songs from the Le Zenith performance was released at the same time. A double A side single was released featuring new songs In Your World and Dead Star, a move away from the grand opera style of Origin of Symmetry. The single was greeted with a mixed reaction from existing fans, but radio friendly song lengths and styles helped to attract many new fans.
In the February 2006 edition of Q Magazine, Origin of Symmetry was placed 74th in a fans poll of the 100 greatest ever albums.
In 2003, a new studio album, Absolution was released. Produced by Rich Costey (who had previously produced Rage Against the Machine), the album demonstrated a continuation of the experimentation displayed in Origin of Symmetry, while maintaining a sense of the band as a three-piece.
Muse continued to blend classical influences into their hard rock sound, the overall effect being somewhat Wagnerian in style. The band has made reference to a theme running through the album—the end of the world, and reactions to that situation. This draws mainly from Bellamy’s interest in conspiracy theories, theology, science, futurism, computing and the supernatural. The song "Ruled By Secrecy," for example, takes its title from a Jim Marrs novel about the secrets behind the way that major governments are run—many lyrics on this album have political references.
Muse were the subject of a biography by Ben Myers, entitled Inside the Muscle Museum published in 2004.
Similar themes were explored in Origin of Symmetry; the song "Space Dementia" is named after a mental disorder identified in some astronauts following prolonged periods in space, as songs such as "New Born" (from the previous album) make reference to a hypothetical future where technology has a detrimental effect on society.
Finally receiving mainstream critical acclaim in Britain, and with a new American record deal, Muse undertook their first international stadium tour. It continued for about a year and saw Muse visiting Australia, New Zealand, the U.S., Canada and France. Meanwhile, the band released five singles.
The band played at the Glastonbury festival in June of 2004. Bellamy described the concert as "The best gig of our lives", but shortly after the concert finished, drummer Dominic Howard's father, Bill Howard, who was at the festival to watch the band, died from a heart attack. "It was the biggest feeling of achievement we've ever had after coming offstage," Bellamy said. "It was almost surreal that an hour later his dad died. It was almost not believable. We spent about a week sort of just with Dom trying to support him. I think he was happy that at least his dad got to see him at probably what was the finest moment so far of the band's life." With support from his bandmates and family, Howard decided to stay with the band.
Muse continued their hugely successful tour. Their last dates were in the U.S. and at the Earls Court arena in London, where they played an extra date due to the high demand for tickets. They won two MTV Europe awards, including "Best Alternative Act," and a Q Award for "Best Live Act." At the end of 2004, Vitamin Records released The String Quartet Tribute to Muse by The Tallywood Strings, an album of instrumental string versions of some of Muse's songs. At the 2005 Brit Awards, Muse were awarded the "Best Live Act" award.
The band finished touring in January 2005, but visited the U.S. in March and April, as their profile there was considerably higher than before. On July 2, 2005, Muse participated in the Live 8 concert in Paris.
A DVD biography called Manic Depression was released in April 2005, but the band wasn't involved with the project and did not endorse the release. Another DVD was released on December 12, 2005, Absolution Tour, containing re-edited and re-mastered highlights from the Glastonbury Festival 2004, and previously unseen footage from London Earls Court, Wembley Arena and the Wiltern Theatre in Los Angeles. However, two songs were cut from the original BBC edit, "Citizen Erased" and "Stockholm Syndrome," for reasons unknown (possibly due to lack of space on the disc). However, "Stockholm Syndrome" was included in the Earls Court footage.
After having an extensive break following the lengthy tour, the band returned in August 2005 for recording sessions, though serious recordings started around September. The album was recorded until spring 2006 with a couple of breaks for holidays. The band announced their new LP in May 2006, produced again by Rich Costey and titled Black Holes and Revelations. Shortly afterwards, the album was leaked to the Internet. The finished album was released to the Japanese market on 28 June 2006 with an extra track, "Glorious," that is not present on the rest of the world's releases. The album was released in Europe on July 3 2006 and in North America on July 11. It charted at No. 1 in the UK, much of Europe, and Australia and also achieved American success, reaching No. 9 in the Billboard 200 album chart.
Though the record was melanged with the political feel present from their previous albums, it is a slightly brighter and more inviting effort compared to their previous two, which were entwined with desperate and apocalyptic themes. The album's title and themes are the work of the band's fascination with space, Mars and Cydonia, the Book of Revelation and the Four Horsemen of the Apocalypse. The artwork is designed by Storm Thorgerson and depicts a landscape of the surface of Mars with four men seated around a table and four miniature horses on it.
The first single from the album to be released in the UK, "Supermassive Black Hole," was first released as a standalone download on May 9 2006. Reactions to the new single have been very diverse as it represents an extreme departure from the style of the band's existing work. The single was officially released online on June 12, with the CD release taking place on June 19. The CD release contained the B-side "Crying Shame." The second single to be released from Black Holes and Revelations is to be "Starlight," which will be released on 4th September. "Knights Of Cydonia" has been declared the first single in the US, though no release date has been scheduled. The song has already begun charting in the Rock Top 20 and has been accompanied by a humorous 7 minute Promotional video which was filmed in Romania.
The band started performing live again on May 13, 2006 at BBC Radio 1's One Big Weekend, followed by various other promotional TV appearances. The main live tour started just before the release of their album and initially consisted mostly of festival appearances (most notably of which, a headline slot at the Leeds Festival) A tour of North America takes place from late July to early August 2006, and after the last of the summer festivals a tour of Europe is scheduled, including a large arena tour of the UK.Black Holes and Revelations was nominated for the 2006 Mercury Music Prize, but did not win. Instead it went to the Arctic Monkeys. Muse recently announced on the website http://www.muselive.com/ that they will be touring Australia early next year.
NEW ADDITION:
Muse - Live at AOL sessions 2006


Muse - Live at Radio 1's Big Weekend 2006
Muse - Live at Earl's court, London 2006 ??!!!
Note: Folder date is wrong it is 20.12.2004 concert
Muse - Live at Canal+ studio , La musicale, Paris, France 09.06.2006
Muse - Live in Arras, Main Square Festival 01.07.2006
Muse - live lowlands 2006

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Metallica: Some kind of.... Bootlegs part I

Metallica was formed in Downey, California, in 1981 by Lars Ulrich, drummer and son of tennis prodigy Torben Ulrich, along with guitarist and vocalist James Hetfield whom he met after each had placed classified advertisements in the publication The Recycler. Hetfield, who had been influenced by the New Wave of British Heavy Metal or NWOBHM, tried to start his own band before contacting Ulrich but was unsuccessful. Bassist Ron McGovney was an original member, and the band used a few transient guitar players, such as Brad Parker and Jeff Warner. At their first session, in Lars Ulrich's garage, there were only three members, Ulrich, Hetfield, and Lloyd Grant, but McGovney joined a few days later. Metallica got its name when San Francisco-area metal promoter Ron Quintana asked Ulrich to help pick out a name for his new magazine to promote metal and NWOBHM bands. Quintana came up with a list that included "Metallica," but Lars suggested "Metal Mania" and used "Metallica" for the band he and Hetfield had just started. In early 1982, Metallica recorded "Hit the Lights" for the first Metal Massacre compilation. Desperate for a full time lead guitarist, Ulrich posted an advert in a local newspaper. Dave Mustaine from Huntington Beach, California, from the band Panic responded and met for an audition. Ulrich and Hetfield were so impressed with Mustaine's warm-up and equipment, they asked him to join before the audition began. A few months later the band recorded a full demo, No Life 'Til Leather, which quickly drew attention on the underground tape trading circuit. After conflicts with Mustaine, McGovney left the band and was replaced by Cliff Burton from Castro Valley, California. Burton was lured from his band Trauma with the proviso Metallica relocated to the San Francisco area. When the group arrived in El Cerrito, California, live performances and word-of-mouth enabled it to quickly build a healthy following in the Bay Area Thrash Scene. Metallica then travelled to Rochester, New York in 1983 at the urging of local promoters Jon and Marsha Zazula, and after a few gigs the band signed with the Zazulas' new label, Megaforce Records. Shortly after arriving in New York, Ulrich and Hetfield decided that Mustaine's aggressive and disruptive behaviour (relating to his extensive alcohol and drug problems) was becoming too much to handle. Mustaine was asked to leave the band, and Kirk Hammett was drafted from Exodus to replace him. A former pupil of Joe Satriani, Hammett brought to the band his own unique style. This would become more apparent after Ride the Lightning, the first album to feature Hammett's songwriting. Mustaine would go on to create the hugely-successful Megadeth. Metallica released its first album, Kill 'Em All, in 1983 on Megaforce. The album set the template that they would follow throughout the 1980s, featuring Hetfield's heavy vocals and aggressive rhythm guitar. Kill 'Em All did not have huge initial sales, but it did consolidate their loyal fan base in the growing underground metal scene. A year later, Metallica released their second 'Megaforce' album, Ride the Lightning, adding complexity and further melodic flair to the thrash metal of their debut. Longer songs showcased lyrical and musical growth, like "Fade to Black", a slower, more introspective song that some thought reflected the thoughts of someone contemplating suicide. The song in fact was written after the band's equipment was stolen (most notably a Marshall amplifier, leading James Hetfield to search multiple continents to find one with the same sound). The inclusion of slower, introspective songs with clean or acoustic guitar distinguished Metallica from most other thrash or heavy metal bands. Some tracks on Ride The Lightning contain riffs brought by Kirk Hammett from Exodus songs; "Trapped Under Ice" is reminiscent of Exodus' "Impaler". Metallica was inspired by bands such as Motörhead, Diamond Head (declaring in the sleeve notes of 1998's Garage Inc. that "two heads were better than one"), Saxon and other NWOBHM bands. They also took inspiration from hardcore punk bands like the Misfits and Discharge. By putting all these elements together, Metallica was determined to break the grip of soft metal on heavy metal fans. Mainstream success (1986-1994) Metallica, Damage Inc tourAfter signing a major label deal with Elektra Records in 1984, Metallica released a new album entitled Master of Puppets on February 21, 1986. Many fans regard the album as the band's finest work, and some consider it to be the greatest heavy metal album of all time. Despite the fact that no singles were released for the album, the band received some minor airplay from album tracks "Master of Puppets" and "Welcome Home (Sanitarium)". The supporting Damage Inc. tour was very successful, and the album charted at number 29 on the Billboard Top Album Charts. On September 27, 1986, during a European leg of shows, bassist Cliff Burton died near Ljungby, Sweden when Metallica's tour bus skidded off an icy road and flipped over. Burton was thrown out of the window, and the bus landed on top of him. It is uncertain if Burton was dead at this point or not. A winch that was lifting the bus off of him snapped, causing the bus to crush him a second time. It is said that Hetfield repeatedly yelled at the bus driver, asking him where the patch of ice was. Cliff's death left the band's future in doubt. The three remaining members knew Cliff would want them to carry on, and with the Burton family's blessings the band decided to seek a replacement and began auditions almost immediately. Among the most promising of the auditioneers was a young Les Claypool, a childhood friend of Hammett's. The band liked Claypool but felt that his style was "too funky". Claypool would go on to form the band Primus after playing in other bay area thrash metal bands, like Blind Illusion with the ex-Possessed's Larry Lalonde (who would later play with him in Primus). Three weeks after Burton's funeral, Jason Newsted, formerly of Flotsam and Jetsam officially joined Metallica on October 28, 1986. With Newsted, the band finished the Damage, Inc. tour in the early months of 1987. The transition from Burton to Newsted was anything but smooth: the band delighted in subjecting Newsted to months of hazing, simply to test the limits of the new member's patience, treatment that became legendary in Metallica's history . Tour expenses were often charged to Newsted's hotel rooms on the road, he was tricked into swallowing a significant amount of wasabi in a sushi restaurant, and he was often denied limo transportation with the rest of the band. Following the tour, the band quickly recorded The $5.98 EP: Garage Days Re-Revisited in July 1987 as a way to test a new studio they had constructed (according to the EP's liner notes) and to test the talents of Newsted. This EP continued Metallica's fascination with covering songs by relatively obscure (to American audiences) British metal and hardcore bands. In 1988 the band recorded ...And Justice for All. Featuring some of the band's most structurally complex music, it was the first studio album of new material released following the death of Cliff Burton. Very little of Newsted's bass is audible on the album. Some have speculated that this was done intentionally by the original members of the band as a reaction to Burton's death (or perhaps as a way of further hazing Newsted). The most likely reason, as mentioned by Hetfield and Ulrich in subsequent interviews[citation needed], was that because Newsted wasn't at the mixing sessions, he wasn't able to affect the final mixing process. Ulrich has also stated the lack of perceived bass resulted from Newsted exclusively mirroring Hetfield's rhythm tracks. Although the song-writing was praised, the production of this album was heavily criticized as Lars Ulrich's drums clicked more than thudded and the guitars had a thin sound. Because of the complexity and length of the songs, the band would later cease to play most of them live (though several songs, most notably "One", would remain a constant in the group's live performances). In 1989, Metallica received its first Grammy nomination for the album ...And Justice for All for Best Hard Rock/Metal Performance Vocal or Instrument. However, in one of the most misunderstood Grammy decisions to date, the award was given to Jethro Tull for the album Crest of a Knave The result generated much controversy, as Metallica was widely expected to take home the award, and was standing off-stage waiting to receive it after performing the song "One" for the telecast. Lars Ulrich even referenced the snub in accepting a Grammy for "One" the following year, stating, "We gotta thank Jethro Tull for not putting out an album this year." The album also contained their last instrumental to date, "To Live Is To Die", which was a sort of tribute to Cliff Burton because it contained some of Burton's unused riffs and a poem he had written that was read by Hetfield. It was during this time embraced the mainstream music world with their first ever music video. Ironically, they would choose the song "One", a song based upon the controversial World War I-themed anti-war novel "Johnny Got His Gun", written by Dalton Trumbo. For the video, the band performed the song in an abandoned warehouse. The performance was then extensively "remixed" with footage of the film version of Johnny Got His Gun. The end result featured a coherent but shortened "mini-movie" version of "Johnny Got His Gun", with an intricate level of synchronization between the song and the film's dialogue, creating a singular narrative between the two. The "remix" video was submitted to MTV, with the alternate "performance only" version held back in the event that MTV would ban the remix version. MTV accepted the remix version and despite its length (the video ran for nearly ten minutes) put the video in heavy rotation. The video would be many viewers first exposure to Metallica and was voted the #25 in the fall of 1999, when MTV aired it's last "Top 100 Videos of All Time" countdown and was prominantly featured during MTV's 25th Anniversary edition of "ADD Video", which showcased the top videos to air on MTV in the last 25 years. In 1991, the self-titled album, Metallica (popularly known as The Black Album by fans) saw the band reaching out to a wider audience. The record was co-produced with Bob Rock, whose resume included work with hard rock acts The Cult, Bon Jovi, Mötley Crüe, and many others. The album featured a black cover that evoked humorous comparisons to Spinal Tap. The majority of the making of the Metallica album and the following tour was documented in A Year and a Half in the Life of Metallica. The recording sessions were a long and arduous process, lasting over a year due to infighting among the band's members and endless arguments with Rock about the album's direction, scope, and sound. The cost of recording the album was reputed to be over $1 million. However, despite the battle to finish the album, it quickly became the band's most successful release, debuting at number one on the Billboard charts and going platinum within weeks. The album featured the hit "Enter Sandman", which exemplified the radically pared-down style of songwriting across the album; it became one of Metallica's best-known songs and has been used extensively at sporting events. Another hit was "Nothing Else Matters", a more plaintive, acoustic ballad that outraged some fans but secured the album as a massive crossover hit and brought Metallica firmly into the mainstream. The intro to the track "Don't Tread on Me" pastiches Leonard Bernstein's "America" from the musical "West Side Story". This album had been preceded by a cover of Queen's "Stone Cold Crazy" which was contributed to Rubáiyat, a compilation album commemorating Elektra's 40th anniversary, and which Hetfield, together with Queen's remaining band members, performed live at The Freddie Mercury Tribute Concert. Metallica also played a set at the concert. Charges of selling out would be aimed at Metallica throughout the 1990s, to which the band often joked that they did indeed sell out — each and every date of the tour. Indeed, the tour following The Black Album was especially successful and eventful. Many dates were held with no opening act, instead showing an introductory film that included interview footage filmed during A Year and a Half... not included in the film, and other footage of band members' antics backstage. The best-known incident during this tour was a pyrotechnics accident in 1992 in Montréal while Metallica was performing a series of joint shows with Guns N' Roses. Hetfield suffered severe second and third degree burns to his left arm during the opening of "Fade To Black", leaving him unable to play guitar for a portion of the tour (former Metallica roadie and Metal Church guitarist John Marshall filled in while Hetfield continued to sing). The Guns 'n' Roses set was also cut short when lead singer Axl Rose left the stage claiming he was unhappy with the sound. After two setlists cut short, fans grew angry and a riot ensued.

Metallica - August 29, 1989 - Seattle Coliseum - Seattle, Washington http://www.megaupload.com/?d=ZODAPAGK

Metallica - May 24, 1997 - GM Place - Vancouver, British Columbia http://www.megaupload.com/?d=VPOFDPBY

Metallica - November 6, 1991 - Veterans Memorial Auditorium - Des Moines, Iowa http://www.megaupload.com/?d=7YPC3NOZ

NEW ADDITION
Metallica - December 2, 1988 - Tingley Coliseum - Albuquerque - New Mexico


Metallica - February 12, 1984 - Maecke Blyde - Poperinge, Belgium


Metallica - October 2, 1996 - Le Dome - Marseille, France

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Friday, September 08, 2006

Metallica: Some kind of.... Bootlegs part II

After almost three years of touring to support The Black Album, Metallica took a respite until late 1995. On December 13, they recorded during their rehearsal for Lemmy's 50th birthday party; four Motörhead covers were later released as a two-part limited edition CD single. The band spent around a year writing and recording new songs, resulting in Load (1996). At one point during early production, Load was intended to be a double album. Ultimately, it was decided that it would be best to release half of the songs first, and continue to work on the remaining songs and release them the following year. This resulted in the follow up album ReLoad (1997). Some songs written during Load were changed by the time they were recorded for ReLoad; in particular, "Fuel" had different lyrics than the version played during the Load Tour, as evidenced by the version played on the Cunning Stunts concert film (the song was then-titled "Fuel for Fire").
These albums represented a significant musical change for Metallica. The band's breakneck metal tempos and layered guitar compositions had largely been replaced by bluesy guitar tones, slide guitar and shuffle rhythms. Hetfield's vocals took a larger role than ever before, and several songs (such as "Mama Said" and "Low Man's Lyric"), and showed the band's willingness to experiment with varied sounds and instruments. These changes included the use of the steel guitar (commonly used in country music) in "Mama Said" (this is not supported by Kirk Hammett, who in a Guitar Player interview claimed it's not pedal steel guitar on "Load", but an electric guitar processed to emulate one), as well as the use of the hurdy-gurdy and violin in "Low Man's Lyric".
Many of the changes on Load and ReLoad had been anticipated by earlier experiments (especially on The Black Album), but listeners generally regard the two albums as the band's turning point. Sales were lower than sales of the previous three albums. Some fans began to sarcastically refer to the band as "Poptallica" or "Alternica" (or simply "Lica", as "the metal was gone") in light of the band's apparent conformity to more mainstream styles of pop or alternative metal music. Many songs from Load and ReLoad received extensive radio play, including "Until It Sleeps", "Hero of the Day", "King Nothing", "The Memory Remains", "The Unforgiven II", and "Fuel".
Hetfield noted later in the documentary film Some Kind of Monster that many songs on these two albums were initially thought by the band to be of only average quality, and polished and re-worked repeatedly until judged to be releasable.
By 1996, all of the band members had cut their hair (although Hammett eventually regrew most of his), which was ridiculed by many, including band friends Alice in Chains, whose edition of MTV's Unplugged featured, on Mike Inez's bass, the words "friends don't let friends get Friends haircuts." Metallica were in the audience for the taping of the show.
In 1998 Metallica compiled a double CD called Garage Inc.. The first CD contained newly recorded covers, ranging from obvious Metallica influences such as The Misfits, Thin Lizzy, Mercyful Fate and Black Sabbath to more unexpected choices like Nick Cave and Bob Seger (the band's cover of Seger's "Turn the Page" garnered extensive radio airplay). The second CD gathered together previously released covers, including the original The $5.98 E.P.: Garage Days Re-Revisited, which had become a scarce collectors' item. The CD also included B-side covers going as far back as 1984.
On March 7, 1999, Metallica were inducted into the San Francisco Walk of Fame. The mayor of San Francisco, Willie Brown, proclaimed the day "Official Metallica Day" in San Francisco. A month later, on April 21-22, 1999, Metallica recorded two performances with the San Francisco Symphony Orchestra, then conducted by Michael Kamen. Kamen, who had previously worked with Bob Rock on "Nothing Else Matters", approached the band with the idea of pairing Metallica's music with a symphony orchestra. Kamen and his staff composed additional orchestral material for a number of Metallica songs and the concerts featured broad selection of songs dating as far back as Ride the Lightning. Metallica also wrote two brand-new Kamen-scored songs for the event, "No Leaf Clover" and "−Human." The audio recording and concert footage were released later that year as the album/concert film S&M, in November 1999, on CD, VHS, Video CDVCD, and DVD.
In 2000, Metallica discovered that a demo of their song "I Disappear" was being distributed via the Napster P2P file-sharing network. Not only was the song unfinished, it was supposed to be released in combination with the Mission: Impossible II soundtrack.
They soon discovered that in addition to the demo, their entire catalogue was also freely available. The band initiated legal action against Napster and, in the process, demanded that 300,000 Napster users found to be trading Metallica songs be banned from the network. Legal actions were also started against Yale University, University of Southern California, and Indiana University for not blocking Napster from their campuses. In 2001, Metallica and Napster agreed to an out-of-court settlement which led to many Napster user accounts being locked out. The band did not take legal action against any individuals for copyright infringement. Lars Ulrich provided a statement to the Senate Judiciary Committee regarding copyright infringement on July 11, 2000.
The lawsuit created a public relations nightmare. Throughout the controversy, many websites hosted cartoon parodies of band members, portraying them as selfish rock stars who were out of touch with their fans. The most popular of these was a cartoon parody entitled Napster Bad!, by Camp Chaos, which spawned an entire series. Some critics mocked Ulrich by spelling his name as "Lar$". In retaliation to the controversy, Ulrich appeared during the 2000 MTV Video Music Awards, in a skit with that years host Marlon Wayans, that blasted against fans' idea of using Napster to share music. Marlon was featured as a college student listening to Metallica's "I Disappear" (ironically to the idea that the demo version was being downloaded on Napster, and to the fact that it was Metallica's current big playing single on radio and MTV), and Lars walking in and from receiving Wayans' sharing excuse, interpreted the idea of sharing by being able to borrow anything that was yours without asking, can also be coined to the point of anything and Metallica roadcrew entered into the dorm room and conviscated everything, while slapping a Napster sticker onto everything, leaving Wayans with an empty room, and even clothless. Napster creator Shawn Fanning would respond by presenting an award wearing a Metallica shirt, saying "I borrowed this shirt from a friend. Maybe, if I like it, I'll buy one of my own," to mock the controversy Ulrich and co. had ensued upon. Public ridicule was widespread as many longtime fans felt Metallica had got their start via underground trading of bootleg recordings of their performances[citation needed]. Metallica's defense was that Napster was allowing free access to their back catalogue and not live bootleg recordings which the band had always encouraged. The fan backlash would not be the only setback the band would experience that year.
Metallica, like a number of other bands, refused to sell their music on iTunes for a number of years. They finally ended this holdout on Tuesday, July 25, 2006, although only in the US and Canada.
As plans were being made to go into the recording studio in 2001, Jason Newsted left the band, ostensibly due to "the physical damage I have done to myself over the years while playing the music that I love." However, subsequent interviews with Newsted and the remaining members revealed that Newsted's desire to release a CD and tour with his Echobrain side-project – and Hetfield's intense resistance to such an idea – was the primary cause of Newsted's departure, as Hetfield believed a release by an individual band member would somehow weaken the band. The 2004 documentary Some Kind of Monster provided more insight into the reasons for Newsted's departure. In the film he says he felt Metallica's desire to hire a therapist to help solve the problems between the band members was "fucking lame and weak".
This would be the first in a series of low-points the band would endure. In July, 2001, Hetfield entered rehab due to "alcoholism and other addictions". For nearly a year, Metallica ceased to function in any meaningful way. Ulrich and Hammett, for the first time, seriously considered the possibility that Metallica might be finished. Hetfield eventually returned to the band following his rehab hiatus. Slowly and cautiously Metallica continued as a 3-piece throughout the writing and recording of their next album. Longtime producer Bob Rock handled bass duties for the sessions.
Metallica held auditions for Newsted's permanent replacement in early 2003. Robert Trujillo formerly of Suicidal Tendencies, and Ozzy Osbourne's band, was chosen as the new bassist. Robert's resume also included Infectious Grooves as well as a stint with Black Label Society on their Boozed, Broozed, and Broken-Boned DVD. As Metallica moved on, Jason Newsted also found a new musical home joining Canadian thrash metal legends Voivod in 2002. In an interesting turn of events, Jason became Robert's replacement in Ozzy's band during the 2003 Ozzfest tour (which included Voivod as part of the touring bill).
In June 2003, Metallica released their eighth full-length studio album, St. Anger. The album debuted at number one on the album charts, as an intentionally raw and unpolished album as a response to critics' complaints that they had lost their edge. Harsh criticism from fans followed, however, for the record's under-produced sound (notably Hetfield's "flexible" sense of pitch), Ulrich's new signature steel snare drum, overwrought songs, and no guitar solos whatsoever (a rarity for Metallica). Reports of second-hand CD shops being flooded with copies of the album circulated on the Internet. Despite the criticism, Metallica won a Grammy in 2004 for St. Anger, the band's seventh such award. The documentary Some Kind of Monster followed the album and offered an inside view into the daily affairs of Metallica as never before. While the film focused on the growing tensions within the band, it fulfilled its original purpose of helping to promote the album. The film also exposed to fans that Metallica had sought the guidance of a therapist, Phil Towle, to deal with a vast amount of the band's inner turmoil.
Having toured extensively for two years with Godsmack in support of St. Anger on the Madly In Anger With The World Tour (in which nearly every performance was professionally recorded and sold on LiveMetallica.com) Metallica took a break from performing and spent most of 2005 amongst their friends and families.
On February 16, 2006, Metallica announced on their official website, that after their 15+ year relationship, longtime producer Bob Rock has stepped down from recording Metallica's next studio album. Rock had produced every Metallica album since 1991, beginning with Metallica. His place will be taken by legendary producer Rick Rubin , who has collaborated with artists such as Beastie Boys, Red Hot Chili Peppers, Weezer, Audioslave, Slipknot, System of a Down, Johnny Cash, LL Cool J, Jay-Z and Slayer. They are currently working on a brand-new, full-length studio album which will be released sometime in the near future - Metallica has not specified an exact release date yet.
Metallica debuted an untitled song nicknamed "The New Song" in Berlin, Germany on June 6th, 2006 on the European leg of the Escape from the Studio '06 mini tour. On August 12th, 2006, Metallica debuted another song in Tokyo, Japan on the Asian leg of the tour, nicknamed "The Other New Song". The band has previously unveiled new songs prior to their release: Four songs from Ride the Lightning ("Fight Fire with Fire", "Ride The Lightning", "Creeping Death", and "The Call of Ktulu") were performed before the release of the album; Master of Puppets' "Disposable Heroes" was debuted in September of 1985; ...And Justice for All's "Harvester of Sorrow" received its live debut in 1987, Load's "2x4" was played during the Escape from the Studio '95 mini-tour; and Reload's "Fuel", "Devil's Dance" and "Bad Seed" were played at various points during the Load tour 1996-97 and again on the Escape from the Studio mini-tour in August 1997 ("The Memory Remains" was teased at the same shows).
It was during this time on tour that the band finally bowing to fan pressure decided to make their entire back catalogue ( Kill 'Em All - Some Kind Of Monster EP) available for download through the iTunes Music Store. They had offered their albums for sale from various sources online for some time, but this offered people the chance to download individual tracks from their history. Their first 4 albums were generally shorter in length than their later ones so they added exclusive tracks from the Seattle '89 shows to each one, thus encouraging old fans to download these new digital versions. At this time the band's back catalogue is only available through iTunes in the US and Canada, due to record companies in the rest of the world not agreeing to the service.

Metallica - Live in Nashville, TN 11-11-04 CD1
http://www.megaupload.com/?d=Y71JZ6FP

Metallica - Live in Helsinki '88
http://www.megaupload.com/?d=XJZP4E22

Metallica - LIVE in Broadway Jacks 15-12-1983
Note: some Metallica boolegopedia give different location fro this date
http://www.megaupload.com/?d=A61ZGQKQ

Metallica - June 18, 1993 - Rayo Vallecano - Madrid,
http://www.megaupload.com/?d=AXCG5LA7
Metallica - Live in NYC 1998

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Thursday, September 07, 2006

London Legendary Concert Venues: the Shepherds Bush Empire

The Shepherds Bush Empire (the first word is sometimes spelled Shepherd's) is a music venue in Shepherd's Bush, West London, England, run by the Academy Music Group.
It was built in 1903, designed by Frank Matcham, who designed several theatres. The first performers at the new theatre were The Fred Karno Troupe. The Empire staged music-hall entertainments, such as variety performances and revues, until the early 1950s, by which time the popularity of these forms of entertainment was declining.
In 1953, the Empire was sold to the BBC, which put it to use as a television studio–theatre, renaming it the BBC Television Theatre. Among the programmes produced there were Crackerjack, Hancock's Half Hour, The Old Grey Whistle Test, That's Life!, and Wogan.
The BBC vacated the building in 1992. It was taken over and, in 1994, again became the Shepherds Bush Empire.
Since then, it has become best known as a music venue and has hosted such acts as The Bangles, The Levellers, Blur, Sheryl Crow, Howard Jones, Kylie Minogue, Goldfrapp and Radiohead. The Empire has a capacity of only 2,000, but it has been chosen as a venue for small gigs by such leading performers as David Bowie, Elton John, and The Rolling Stones. In 2003, the Empire was the site of Dixie Chick Natalie Maines's famously controversial remark against United States President George W. Bush.
Khaled - Live At The Shepperd Bush Empire, London 2006
Khaled [خالد], born Khaled Hadj Brahim, is an Algerian raï singer-songwriter and multi-instrumentalist from Oran. He was born on 29 February 1960 in Sidi-El-Houri, Algeria. He began recording in his early teens under the name Cheb Khaled (Arabic for "Young Khaled") and has become probably the most internationally famous Algerian singer. His popularity has earned him the unofficial title "King of Raï".

Bon Jovi - Shepherds Bush Empire 18.09.02

http://www.megaupload.com/?d=90P91KRE

Bon Jovi is an influential rock band from New Jersey, USA. Fronted by lead singer and namesake Jon Bon Jovi, the group originally achieved large-scale success in the 1980s as a hair metal band.
However, Bon Jovi has proved far more durable than most groups so labeled, blending elements of hard rock, heartland rock, and the "MTV Unplugged" style together to sustain a creative and commercially successful career well into the 2000s.
Bon Jovi has sold more than 35 million albums in the United States, and over 105 million albums worldwide, and has played live concerts in major cities in Asia, Europe, Australia, Canada,South Africa, and South America, in addition to a large number of cities in the U.S.


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Wednesday, September 06, 2006

London Legendary Concert Venues: the Hammersmith Odeon

The Hammersmith Apollo, located in Hammersmith, London, England, has been a rock venue for decades, first opened in 1932, and known as "Gaumont Palace Hammersmith" until 1962. It is now a Grade 2* Listed Building.It houses a fine 4 manual Compton theatre organ which is currently undergoing extensive overhaul.
It is in this earlier incarnation that the venue is best known internationally, especially since Motörhead's 1981 live album No Sleep 'til Hammersmith. Many legends of rock have performed at the Hammersmith Odeon, including The Cult, AC/DC, Guns N' Roses, The Cure, Iron Maiden, Black Sabbath, Iggy and the Stooges, Metallica, The Who, Rush, and Queen. David Bowie also performed his final concert as Ziggy Stardust at the Hammersmith Odeon in July 1973. Not to forget Bruce Springsteen's legendary performances in 1975. Neil Young also famously gigged there in the same year, actually setting part of it on fire. Johnny Cash also performed there in 1966.
Queen have played several concerts here including the legendary Christmas concerts in 1975 and 1979. The night after Queen's 1979 concert, the Hammersmith Odeon hosted the 4-night Concerts for the People of Kampuchea, a benefit concert to raise money for Cambodian residents who were victims of the tyrannical reign of dictator Pol Pot of which Queen played the first night.
The venue was later refurbished and re-named The Labatt's Apollo following a new sponsorship deal with the Belgian-owned Canadian brewery.
Later again, it was re-named The Hammersmith Apollo, where it played host to a number of stage production, notably Joseph and the Amazing Technicolor Dreamcoat and Doctor Dolittle.
In 2002 the venue was again re-named, this time to the Carling Apollo after another brewery (a British one this time) struck a deal with the owners, US-based Clear Channel Entertainment.
Many bands have released live CDs or DVDs of concerts held at the Apollo. Kylie Minogue & Girls Aloud released DVDs of their concerts at the Apollo in 2004 and 2005 respectively, and a DVD of a Bruce Springsteen concert held there in 1975 was released as part of the Born to Run 30th Anniversary Edition package, and later was released the CD Hammersmith Odeon London '75. Melodic death metal band In Flames also released a DVD that featured footage of a December 2004 peformance here. Comedian and actor Eddie Izzard performed his show Glorious here, also on DVD.
It has a capacity of 5039 standing and 3632 sitting.




Duran Duran - London Hammersmith Palais 01-05
http://www.megaupload.com/?d=DPHBZM0L
Duran Duran are a British New Wave band notable for a long series of catchy, synthesizer-driven hit singles and vivid music videos. They were the most commercially successful of the New Romantic bands, and a leading band in the MTV-driven Second British Invasion of the United States. They are still often identified as an "Eighties band" despite continuous recording and chart success over their twenty-eight year history.




Cliff Richard - live in London Hammersmith Palais 11 04
http://www.megaupload.com/?d=HN7JQYHT
Sir Cliff Richard OBE, birth name Harry Rodger Webb (born 14 October 1940) is one of the United Kingdom's best known singers.
With his backing group The Shadows, he dominated the British popular music scene in the late 1950s and early 1960s, before the advent of The Beatles. A conversion to Christianity and subsequent softening of his music led to his having more of a pop than rock image. Although never able to achieve the same impact in the United States, even though he has had several chart hits there, Richard has remained a popular music, film, and television personality in the UK and also retains a following in several other countries.



Blackstreet & Guy - Live In London Hammersmith 10.05
http://www.megaupload.com/?d=1O4NWA7I
BLACKstreet was an American R&B group founded in 1994 (see 1994 in music) by Teddy Riley, a New Jack Swing pioneer known for his work as a member of Guy. The band members were: Teddy Riley, Chauncey Hannibal, Eric Williams, and Terrell Philips (and formerly Joe Stonestreet, Levi Little, David Hollister, and Mark Middleton). Their debut album, BLACKstreet, was a moderate success due to the singles "Booti Call" and "Before I Let You Go", both Top 40 hits ("Before" hit the Top 10). The follow-up, 1996's Another Level (see 1996 in music) was a breakthrough success due to the top single "No Diggity" (with Dr. Dre), which was a #1 hit on the Billboard Hot 100 in November 1996, and won the 1998 Grammy Award for Best R&B Performance by a Duo or Group with Vocals, along with the Top 40 hit "Don't Leave Me". Another Level eventually went four times platinum in the United States and peaked at #3 on the Billboard chart. "No Diggity" is ranked at #91 on Rolling Stone and MTV: 100 Greatest Pop Songs, while BLACKstreet comes in at #214 of the Top 500 Pop Artists of the Past 25 Years


Jazzy Jeff - Live in London, Hammersmith Palais 09-05 http://www.megaupload.com/?d=XDWPMG7U
DJ Jazzy Jeff (born Jeffrey A. Townes on January 22, 1965 in Philadelphia, Pennsylvania) is an American hip hop DJ/turntablist, keyboardist, and hip hop/R&B record producer. He is best known for his early career with Will Smith as half of DJ Jazzy Jeff & the Fresh Prince.
Together, the duo had several gold and platinum-selling albums and singles in the late 1980s and early 1990s, earning them the first rap Grammy ever presented in 1989 for Parents Just Don't Understand. When Smith branched out into television with the sitcom The Fresh Prince of Bel-Air, Jazzy Jeff played the popular recurring character "Jazz", whose trademarks were :
to be physically thrown out of the house by Will's Uncle Phil (James Avery); and his silly one-liners. DJ Jazzy Jeff is not to be confused with Jazzy Jeff from the earlier hip hop group Funky Four Plus One which in fact filed and won a lawsuit over the name Jazzy Jeff against Jeff Townes and Jive records when they signed DJ Jazzy Jeff & the Fresh Prince.
After DJ Jazzy Jeff & the Fresh Prince broke up, Townes went on to become a prominent R&B, soul, and neo soul record producer, establishing the A Touch of Jazz production company in his native Philadelphia. Among the artists that Jazzy Jeff has helped develop are Jill Scott and Musiq.

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Monday, September 04, 2006

London Legendary Venues: the Rainbow Theatre

The Rainbow Theatre

Formerly the Finsbury Park Astoria, the Rainbow Theatre was a major venue in London during the Sixties and Seventies. The building (now the UCKG UK headquarters) still stands out from it's surroundings as you leave Finsbury Park tube station. Jimi Hendrix played here in 1967, where fans memorably watched him set fire to his guitar on stage for the first time. As the Astoria, it also played host to the very first Beatles Christmas Show in 1963. Later, in 1973, The Rainbow was the venue chosen by The Who's Pete Townsend, for Eric Clapton's comeback concert.
Location:
232 Seven Sisters Road Finsbury Park
London
N4 3NX
map / directions


Iron Maiden - Live at Rainbow 1980
- Vintage OOP video rip -
www.megaupload.com/?d=3YDT3MH9

This is Iron Maiden's earliest video and some of the earliest live footage of the band. It was entitled quite simply Iron Maiden and was recorded at London's Rainbow Theatre on 21st December 1980 – this is why it is also known as Live At The Rainbow. There is an interesting anecdote about this video: they experienced technical difficulties; one of the sound lines went down about halfway through the show; and half of the set had therefore to be played a second time. This is documented on the Before The Exile bootleg. The highlight of this video is certainly 'Phantom Of The Opera', which is one of of Maiden's very best songs. Other interesting features are a completely alternate set of lyrics for 'Killers' and the three spotlight-waving Eddies on stage during 'Iron Maiden'. This is 30 minutes of Iron Maiden's live raw power from the beginnings of the band.

7 classic early Maiden tracks

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Sunday, September 03, 2006

A very 70's post

Avery seventies post......

Montrose - Live At Record Plant Studios 1973

Ronnie Montrose, (born November 29, 1947 in Denver, Colorado) is an American guitarist. Montrose has worked with a variety of musicians over the years, including Herbie Hancock, Van Morrison, The Beau Brummels, Boz Scaggs, Beaver & Krause, Gary Wright, Tony Williams, The Neville Brothers and Dan Hartman. He was in the Edgar Winter Group before forming his own band, Montrose in 1973, featuring Sammy Hagar on vocals. That incarnation of the band put out two albums on Warner Brothers Records, Montrose and Paper Money, before Hagar left to pursue a solo career. Although the liner notes for the CD edition of "Paper Money" said that Ronnie was offered to play lead guitar for Mott The Hoople when he left the Edgar Winter Group, Ronnie says that it never happened and was just a rumor. The guitar virtuoso continued to put out albums as "Montrose" (Warner Bros. Presents Montrose and Jump on It) or "Ronnie Montrose" (Open Fire) until he formed Gamma in 1979, initially putting out three albums using that moniker with Davey Pattison singing. He continued to record through the 1980s and 1990s, and Gamma put out a fourth album in 2000. A fan favorite from Ronnie's solo back Catalogue is his 1988 all instrumental album The Speed of Sound. Ronnie Montrose appeared on Sammy Hagar's Marching To Mars along with original Montrose members Denny Carmassi and Bill Church on the song "Leaving The Warmth Of The Womb."

Montrose - Live At Record Plant Studios 1973
http://www.megaupload.com/?d=05328WBA


Roy Buchanan - Live San Francisco 8-1-78

Roy Buchanan's musical career began in Pixley, California. His father was in the main a sharecropper (not a Pentecostal preacher as Buchanan himself had claimed). Buchanan told how his first musical memories were of racially-mixed revival meetings his family would attend. "Gospel," he recalled, "that's how I first got into black music". He in fact drew upon many disparate influences while learning to play his instrument (although he later claimed his aptitude was derived from being "half-wolf"). He initially showed talent on the steel guitar before switching to the standard instrument in the early 50's. In 1957, Buchanan made his recording debut, playing the solo on Dale Hawkins' "My Babe" for Chicago's Chess Records. Three years later, Buchanan headed north to Canada, where he took charge of the guitar role in Ronnie Hawkins' band (a group later to gain fame as The Band). The group's bass player, Robbie Robertson, studied guitar under Buchanan, and took over the lead guitar spot when Buchanan left the group. The early 60's found Buchanan performing numerous gigs as a sideman with multiple rock bands, and cutting a number of sessions as guitarist with musicians such as Freddy Cannon and Merle Kilgore.

Roy Buchanan - Live San Francisco 8-1-78
http://www.megaupload.com/?d=263GBWQX


Utopia - London Concert 1975

Utopia was a progressive rock band led by Todd Rundgren that was together roughly from 1973 to 1987. After two recorded live albums in 1974 and 1975, Utopia became a four-man-band that, like The Beatles, had members who all rotated lead vocals and writing credits, though Rundgren was the undisputed leader. Aware of their many parallels to the Beatles, Utopia's 1980 album Deface the Music was a series of half-serious style parodies, not unlike the songs "Weird Al" Yankovic occasionally makes when aping a popular band's style but not a specific song.
One distinctive feature of Utopia was its range--from psychedelic 70s rock to soul to blues to arena rock to heavy metal. Another was the band's unabashed optimism, as evidenced in its very name. Though the band had satirical political songs, showcased on 1982's Swing to the Right and plenty of bitter heartbreak songs, it was best known for its hopeful, uplifting spirit, which is why its live shows often ended with the hit 'Love Is the Answer' from the 1977 album, Oops! Wrong Planet. This theme resonated with its utopian fan-base--a mix of older Rundgren fans and Utopia's own starry-eyed followers, who tried to carry hippie idealism on through the barren early-1980s. Although they had only one song hit the Top 40 in 1980 with Set Me Free, they achieved cult status throughout the 1980's with their albums,concert performances and videos that where shown on MTV early years.

Utopia - London Concert 1975
http://www.megaupload.com/?d=0AC4TKSF

Setlist:Utopia Theme, Sunset Blvd./Le Feel Internacionale, Last Ride, Seven Rays, The Wheel, Real Man, Born To Synthesize, Death of Rock and Roll, Eastern Intrigue, Initiation, Fair Warning, A Dream Goes On Forever, Hello It's Me, I Saw the Light, Freedom Fighters, Mr. Triscuits, Something's Coming, Heavy Metal Kids, Open My Eyes, Sons of 1984, Do Ya, Couldn't I Just Tell You, Just One Victory....

Note:t his is the setlist played on that night... this file is just an extract from this concert. BBC rebroadcast


Paul McCartney - Live At Leed's University '73

Paul McCartney's first post-Beatles album McCartney was a solo effort and the second Ram was by "Paul and Linda McCartney."
Then late in 1971, drummer Denny Seiwell, and ex-Moody Blues guitarist and singer Denny Laine, joined McCartney and wife Linda McCartney to record Paul's third post-Beatles project. The result was Wild Life, the first project to credit Wings. The band name is said to have come to McCartney as he was praying in the hospital while Linda was giving birth to their second child together, Stella McCartney. Paul McCartney recalled in the film Wingspan that the birth of Stella was "a bit of a drama"; there were complications at the birth and that both Linda and the baby almost died. He was praying fervently and the image of wings came to his mind. He decided to name his new band "Wings".
In 1972, McCartney returned to touring, mounting an impromptu tour of UK universities and later a tour of small European venues (with the group driving around in a van), playing no Beatles numbers. He scored hits with the relatively light singles "Give Ireland Back to the Irish" (banned by the BBC for its political stance, and only mentioned in chart rundowns on Radio 1 as 'a record by Wings'), "Mary Had A Little Lamb", and "Hi Hi Hi" (again, banned by the BBC for alleged drug and sexual references).
In early 1973, McCartney repeated this pattern, adding ex-Spooky Tooth guitarist Henry McCullough, and re-christening the band Paul McCartney and Wings for the album Red Rose Speedway which yielded the first big Wings hit, the romantic ballad "My Love". That same year, McCartney filmed his first American TV special James Paul McCartney, which was savagely criticised by noted rock journalist Lillian Roxon. Wings also recorded the hit theme song to the James Bond film Live and Let Die, which reunited McCartney with producer George Martin. Over the years, this has remained one of the most memorable of all Bond songs and is always an exciting part of McCartney's concert performances (often played to fireworks).
Following the release of Speedway, Denny Seiwell and Henry McCullough left the band, leaving the McCartneys and Denny Laine to cut their next album at EMI's recording studio in Lagos, Nigeria, recording what turned out to be their breakthrough album, Band on the Run.
The album went to #1 and spawned a half-dozen hit singles including the rockers "Jet" and "Helen Wheels", the acoustic ballad "Bluebird", and the dynamic title track—a suite of movements recalling side 2 of Abbey Road. Moreover Band on the Run enjoyed very positive critical reception, and did much to restore McCartney's somewhat damaged post-Beatles image. It also included the heavy "Let Me Roll It", which was seen as an affectionate impersonation of John Lennon's solo style.
After this, Jimmy McCulloch and Geoff Britton, lead guitar and drums respectively, joined the band, now rechristened Wings again. The first recording session with the new members was held in Nashville and produced the rocky non-album single "Junior's Farm". The new lineup then moved to New Orleans to create the album Venus and Mars (1975), followed by a return to Nashville for Wings at the Speed of Sound (1976); both albums took top chart positions. During this time, Joe English replaced Britton on drums. Speed of Sound represented a substantial departure from the Wings template in that each member of the band sang at least one song, including Linda ("Cook of the House").
Also during this period, Wings embarked on the very successful and theatrical Wings Over the World Tour, documented in the triple-live LP set Wings over America, which included a late 1975 tour of Australia, McCartney's first visit there since the Beatles' epoch-making Antipodean tour in June 1964. McCartney still mostly shied away from the Beatles catalogue; only five such numbers were typically included in the American shows. Laine sang lead vocal for several songs and McCulloch for one, to emphasize that Wings was more than just a backing band for McCartney. One of the Seattle concerts from the American leg of the 1975–76 world tour was filmed and later released as the concert feature Rockshow (1980). Further hits followed with the singles "Silly Love Songs" and "Let 'Em In".
Also in 1976, McCartney inaugurated Buddy Holly Week in London, founded on what would have been Holly's 40th birthday and marked with an annual celebrity party; his lifelong passion for the music of this rock'n'roll pioneer was also reflected in his acquisition of Holly's publishing catalogue. Ever the astute businessman, McCartney also cannily bought the rights to an off-Broadway musical he had seen in America, and this investment reaped huge returns when the musical was adapted into the smash-hit feature film Grease.
After the world tour, McCartney took a break, but this period produced both the most obscure and the most successful records he has made. During 1977 he released the peculiar, unpromoted and little-known album Thrillington, an orchestral re-make of the earlier Ram album, issued under the pseudonym Percy "Thrills" Thrillington, followed by single version of a live recording of "Maybe I'm Amazed". Later in the year, the band recorded their next album in the Virgin Islands.
At the end of 1977, McCartney released the ballad "Mull of Kintyre", an ode to the Scottish Mull of Kintyre coastal region he had made his home in the early 1970s. Its broad appeal was maximised by a pre-Christmas release, and it became a massive international hit, dominating the charts in Britain, Australia and many other countries over the Christmas/New Year period and becoming one of the biggest selling UK singles of all time.
McCartney released the album London Town in 1978. During the recording of the album in May, 1977, both Joe English and Jimmy McCulloch parted ways with Wings (McCulloch died of a heroin overdose in 1979). Though still released as a Wings album, the band was again reduced to Paul, Linda and Laine – and a host of studio players. The album was a major commercial success, reaching #2 on the charts, but featured a markedly softer-rock, synth-based sound and yielded only minor UK hits in "With a Little Luck" and "Girlfriend" (the former was a big hit in the US).
In 1979, Wings released the singles "Goodnight Tonight", "Getting Closer", and "Wonderful Christmastime" and the album Back to the Egg, a critical and commercial failure and the last McCartney project released under the Wings moniker, with McCartney returning to solo billing on future recordings.
In November and December of 1979, Wings performed their final tour of the UK, climaxing with a massive rockestra all-star collection of musicians in London in aid of UNICEF and Kampuchean refugees. This final version of the band included guitarist Laurence Juber and drummer Steve Holly, who had joined the group in 1978. During this tour the live version of "Coming Up" was recorded, this being their final US #1 hit the following year.
Wings continued to demo some more tunes during 1980–1981, but following a disastrous aborted Japanese tour, they fell apart.


Paul McCartney - Live At Leed's University '73
http://www.megaupload.com/?d=XN5KGWOW

1. Intro 2. Soily 3. Big Barn Bed4. When The Night5. Wild Life6. Seaside Woman7. Little Woman Love / C Moon8. Live And Let die9. The Mess10. Hi, Hi, Hi11. Long Tall SallyEncore:12. Long Tall Sally

Note: File probably from this CD rip: CD 2002 UNICORN UC-120



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