Smuggled Sounds

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Saturday, May 02, 2009

Miles Davis & Coltrane - Live Over Germany


Miles Davis (trumpet)
John Coltrane (tenor sax)
Wynton Kelly (piano)
Paul Chambers (bass)
Jimmy Cobb (drums)




Track Listing
-------------
1. So What (incomplete) (10:36)
2. 'Round Midnight ( 5:47)
3. Walkin' (incomplete) (11:01)
Miles Davis & Coltrane - Live Over Germany -  Kongresshalle, Frankfurt 19604. So What (10:14)
5. Announcement ( 0:15)
6. So What (12:57)
7. All of You (incomplete) ( 9:50)
SOURCE?SOUND QUALITYA FORMATMp3 BITRATE320 TRACKS #7 
LOCATION / VENUE
Frankfurt, DE 

Kongresshalle
DATE1960
NOTES:

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Friday, March 23, 2007

Miles Davis : Live in Stockholm

Milesstock1960This Grey market bootleg from the 60’s had 2 issues.. the first release was a single CD set.


1. So What 15:19
2. On Green Dolphin Street 13:39
3. All Blues - Theme 17:12
4. John Coltrane Interview 6:14


Miles Davis trumpet
John Coltrane tenor saxophone
Wynton Kelly piano
Paul Chambers bass – Jimmy Cobb drums



Paylesssofts.net

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Saturday, March 03, 2007

Miles Davis - Tales Of New York

Miles_in_NYBy late 1958, Davis employed one of the best and most profitable working bands pursuing the hard bop style, his personnel stabilized to alto saxophonist Cannonball Adderley, tenor saxophonist John Coltrane, pianist Wynton Kelly, long-serving bassist Paul Chambers, and drummer Jimmy Cobb. His band played a mixture of pop standards and bebop originals by the likes of Charlie Parker, Thelonious Monk, Dizzy Gillespie, Tadd Dameron; as with all bebop-based jazz, Davis's groups improvised on the chord changes of a given song.
However, Davis was one of many jazz musicians growing dissatisfied with bebop, seeing its increasingly complex chord changes as hindering creativity. Miles000001In 1953, pianist George Russell published his Lydian Chromatic Concept of Tonal Organization, which offered an alternative to the practice of improvisation based on chords. Abandoning the traditional major and minor key relationships of Western music, Russell invented a new formulation using scales or a series of scales for improvisations; this approach came to be known as modal in jazz.
Influenced by Russell's ideas, Davis implemented his first modal composition with the title track of his 1958 album Milestones; satisfied with the results, Davis now prepared an entire album based on modality. Pianist Bill Evans, also an enthusiast of Russell, but recently departed from the Davis band to pursue his own career. Davis successfully drafted Evans into his new recording project, the sessions that would become Kind of Blue.

SETLIST FEATURING:
Bye, Bye, Blackbird
Four
It Never Entered My Mind
Walkin
Milestones
So What

Red Garland, Paul Chambers, Arthur Taylor, John Coltrane, Bill Evans, Philly Joe Jones, Wynton Kelly, Jimmy Cobb, George Coleman, Herbie Hancock, Ron Carter, Tony Williams

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Friday, January 26, 2007

John Coltrane - Blues for Alice

Coltranes001This show has been known to circulate as an audience recording but this version is an excellent FM broadcast. It is also a complete show and is certainly a must for anyone into jazz, not to mention Coltrane diehards. In less than a year from this concert, Coltrane would die suddenly of liver cancer. But he is in superb form here. And to call John Coltrane, who was into free jazz, an "innovative sax player and composer," as he has been so described, doesn't even cover half the tale.One entry on the internet lists this concert as taking place on November 11,1966. Another gives only the year. Even if this is listed on the etree music database, it is doubtful many jazz fans have this in their collection. One probable tracklist would be:

Coltranes0021. Naima 16:41 (inc)
2. Cresent 26:18
3. Leo 20:38 (inc)

Meanwhile, others offered this tracklist:
1. After The Rain
2. Crescent
3. Leo

Lineup:
John Coltrane (ts)
Farrell "Pharoah" Sanders (ts)
Alice Coltrane (p)
Jimmy Garrison (b)
Rashied Ali (d) John Coltrane -Temple University 1966


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