Smuggled Sounds: Leo Kottke - That's What is called picking

LeoKottke0001 Leo Kottke is a widely-recognized master of the acoustic guitar. He is widely known for his idiosyncratic fingerpicking style, which draws on blues, jazz, and folk music influences, and his syncopated, polyphonic melodies. His work is often considered part of the American Primitivism movement, partly because he was signed to John Fahey's Takoma Records label. Kottke's powerful technique, combined with his prolific output and extensive touring schedule, resulted in a lingering pain in his hands which began to hamper his playing in the middle of the 1980s. Consequently, the beginning of his tenure on Private Music coincided with the beginnings of a shift in technique closer to classical guitar performance; he also slowed his productivity, and after 1986's reflective A Shout Towards Noon he did not re-enter the studio before recording Regards From Chuck Pink in 1988. Simultaneously, Kottke cut back dramatically on his live schedule, settling comfortably into his role as a cult figure. He released an album annually from 1989 to 1991, following My Father's Face with That's What and finally Great Big Boy, which featured a guest appearance from Lyle Lovett. Two years later, Kottke returned with Peculiaroso, which featured production by Rickie Lee Jones. The solo One Guitar No Vocals followed in 1999, but it was his collaboration with Phish bassist Mike Gordon, Clone, that caught audiences' attention in 2002. Kottke returned to the solo realm with 2004's Try and Stop Me, released on Bluebird